#  Book Presentation: Between Embodiments and Weaving in Futuro Anterior 

 



####  calendar\_today Date and Time 

 **March 28, 2022** 

 04:30PM - 06:00PM EDT 

####  pin\_drop Location 

 **Tsai Auditorium, CGIS South**  



 

 [ here arrow\_circle\_right ](https://www.eventbrite.com/e/book-presentation-between-embodiments-and-weaving-in-futuro-anterior-tickets-252114440077) 

 



 

 This event will be held in-person and is for Harvard affiliates only. Please register with your Harvard email address [here](https://www.eventbrite.com/e/book-presentation-between-embodiments-and-weaving-in-futuro-anterior-tickets-252114440077).

 Speaker: **Cecilia Fajardo-Hill**, Art Historian and Curator, DRCLAS Central America Visiting Scholar  
Moderated by: **Thomas B.F. Cummins**, Director of Dumbarton Oaks and Professor of Pre-Columbian and Colonial Art, Harvard University; **Alejandro de La Fuente**, Robert Woods Bliss Professor of Latin American History and Economics; Professor of African and African American Studies

 Visiting Scholar Cecilia Fajardo-Hill will present and discuss sections of her upcoming book on Decolonial Art History in Latin American and Latinx Art in the 20th and 21st Centuries.

 **Cecilia Fajardo-Hill** is an independent British/Venezuelan art historian and curator in modern and contemporary art, focusing on Latin American and Latinx art. Fajardo-Hill has a PhD in Art History from the University of Essex, England and an MA and a Postgraduate Diploma in 20th Century Art History from the Courtauld Institute of Art, London, England. Fajardo-Hill was the Chief Curator and Vice-President of Curatorial Affairs at the Museum of Latin American Art, MOLAA, Long Beach, California; the Director and Chief curator of the Cisneros Fontanals Arts Foundation (CIFO), Miami, USA; and the general director of Sala Mendoza, Caracas, Venezuela. She co-curated the exhibition Radical Women: Latin American Art 1960-1985, Hammer Museum, Los Angeles, 2017, and presently is co-curator of Xican-a.o.x. Body, a touring exhibition organized by the American Federation of Arts, 2022. She is editor of the upcoming book Remains Tomorrow: Themes in Contemporary Latin American Abstraction, on post 90s abstraction in Latin America, and co-editor of a book on 20th and 21th century art Guatemalan art, an initiative of Arte GT 20/21, Guatemala. She is the recipient of the 2020 Andy Warhol Foundation Arts Writers Grant.

 *Presented in collaboration with [Department of History of Art and Architecture](https://haa.fas.harvard.edu/)*



 

 



 

 See also:- [ Cambridge ](/locations/cambridge-office)
- [ Art, Film, & Culture ](/programs-initiatives/art-film-culture)
 
 

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